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  PoS   WORD HIS EDU SOC LAW HUM PHIL SCI MED BUS
1  V    PROMOTE 3005 2146 2973 2232 1276 1532 2152 1245 342
2  J    PRESENT 1856 2211 5749 1579 2047 3460 2566 2016 168
3  N    TECHNIQUE 757 2138 2707 603 2543 1027 6014 2580 303
4  N    PRINCIPLE 2738 1652 2225 4251 1880 3304 2973 739 243
5  V    LIMIT 1948 1242 2802 2449 1046 1155 3289 1560 482
6  N    CLAIM 2373 260 1847 3769 1395 2654 1372 657 517
7  V    ASSOCIATE 1505 2144 6836 1121 2240 1895 3456 4184 184
8  N    ASPECT 2266 2192 3916 1568 3054 2531 2596 1102 184
9  V    RESULT 2140 1944 3770 2130 1150 1378 4516 2805 305
10  N    FAILURE 2152 1179 2206 2150 1016 1536 2026 1941 390
 

Century "), analysis of sketches and manuscripts ("The Compositional Genesis of the Scherzo of Mahler's Second Symphony "), and music history ("Chopin and Meyerbeer's Robert le diable' "). But there were also subjects that would have seemed alien a decade ago. The society's meeting included these papers: "Carlos Chavez and the USA: The Construction of a Strategic Otherness, ""Voice Over/Voice Under, or, The Not-So-Silent Star of Billy Wilder's Sunset Boulevard, ""Women Take the Bow: Gendered Cello Music in the 19th Century, "and "Strictly Ballroom? The Use of Rumba, Bolero, and Cha Cha Cha in Rock n' Roll to 1963. "Now, alongside traditional analysis, a commentary about Beethoven or Elgar or Verdi might be about "phallocentric archetypes, "the interests of the bourgeoisie, the "emotionally and intellectually underdeveloped "musical images of non-Europeans, the "normatively

 
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[ACADEMIC] Academic Questions (1999)