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  RANK # PoS   WORD SPOK FIC MAG NEWS ACAD
1 16600  J    SASSY 679 64 249 219 140 7
2 16601  N    SOMALI 734 203 16 139 249 127
3 16602  J    UNFETTERED 641 101 55 148 134 203
4 16603  J    TEPID 638 58 191 156 170 63
5 16604  J    PSYCHOANALYTIC 772 11 31 79 20 631
6 16605  R    PASSIVELY 637 42 75 142 74 304
7 16606  V    CONSTRICT 648 47 209 212 54 126
8 16607  J    DEFENSELESS 637 108 217 121 92 99
9 16608  V    FATTEN 627 67 154 216 128 62
10 16609  V    DEPOSE 676 231 66 126 112 141
 

are anything but, be critical, if you must, but try also to understand what a tough business this is. One wonders whether Wagner ever thought about the logistical questions his followers would have to ask: Are the right singers out there to begin with? Will they come this far and stay in New York as long as they are needed? Will they accept the Met's fees when others are offering higher ones? The first problem is people. For the current revival, the Met has attracted a pre-eminent Wotan (James Morris), a radiant Fricka who can double as Waltraute (Hanna Schwarz), a powerful Alberich (Ekkehard Wlaschiha), a splendid new Loge (Philip Langridge), an expansive if part-time Sieglinde (Jessye Norman), a comfortable Siegmund (Gary Lakes) and a solid Fafner-Hunding-Hagen conglomerate (Matti Salminen). It has also ended up with an aging Brunnhilde (Gwyneth Jones) and a Siegfried

 
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[NEWSPAPER] New York Times (1993)
 



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